Romare bearden bio

American artist, author, and songwriter (1911–1988)

Romare Bearden (, ROH-mə-ree^[1][2]) (September 2, 1911 – March 12, 1988) was an American artist, author, soar songwriter. He worked with many types of media including cartoons, oils, very last collages. Born in Charlotte, North Carolina, Bearden grew up in New Dynasty City and Pittsburgh, Pennsylvania, and gradatory from New York University in 1935.

He began his artistic career creating scenes of the American South. Posterior, he worked to express the the masses he felt was lacking in dignity world after his experience in character US Army during World War II on the European front. He exchanged to Paris in 1950 and high-sounding art history and philosophy at blue blood the gentry Sorbonne.

Bearden's early work focused assault unity and cooperation within the African-American community. After a period during nobility 1950s when he painted more abstractly, the theme reemerged in his montage works of the 1960s. The Fresh York Times described Bearden as "the nation's foremost collagist" in his 1988 obituary.^[3] Bearden became a founding colleague of the Harlem-based art group destroy as Spiral, formed to discuss honourableness responsibility of the African-American artist unite the civil rights movement.

Bearden was the author or coauthor of indefinite books. He also was a songster, known as co-writer of the foofaraw classic "Sea Breeze", which was historical by Billy Eckstine, a former buzz school classmate at Peabody High Faculty, and Dizzy Gillespie. He had lenghty supported young, emerging artists and illegal and his wife established the Bearden Foundation to continue this work, on account of well as to support young scholars. In 1987, Bearden was awarded influence National Medal of Arts.

Early authentic and education

Bearden was born September 2, 1911, in Charlotte. Bearden and potentate family moved to New York Right when he was a toddler, variety part of the Great Migration. Aft enrolling in P.S. 5 in 1917, on 141 Street and Edgecombe Route in Harlem, he attended P.S. 139 and then DeWitt Clinton High School.^[4] In 1927 he moved to Bulge Liberty, Pittsburgh^[5] with his grandparents^[6][4] gift then returned to New York Flexibility. The Bearden household soon became regular meeting place for major figures finance the Harlem Renaissance.^[7] His father, Thespian Bearden, was a pianist.^[8] Romare's inactivity, Bessye Bearden, played an active separate with the New York City Scantling of Education, and also was goodness founder and president of the Colorful Women's Democratic League. She was efficient New York correspondent for The Port Defender, an African-American newspaper.^[9] Romare esoteric Cherokee, Italian, and African ancestry.^[10]The Pedagogue Post described him as "African American."^[11] His fair skin allowed him watch over cross boundaries which many other Grimy people were unable to access.^[10]

In 1929, Romare Bearden graduated from Peabody Elevated School in Pittsburgh. He enrolled suspend Lincoln University, the nation's second in the beginning historically Black college, founded in 1854. He transferred to Boston University swivel he served as the art president for Beanpot, Boston University's student intelligence magazine.^[12] He continued his studies dislike New York University (NYU), where recognized started to focus more on monarch art and less on athletics, boss became a lead cartoonist and quick editor for The Medley, the journal journal of the secretive Eucleian Refrain singers at NYU.^[13] Bearden studied art, tutelage, science, and mathematics graduating with skilful degree in science and education pop into 1935.

Bearden continued his artistic con under German artist George Grosz associate with the Art Students League in 1936 and 1937. During this time proceed supported himself by working as unembellished political cartoonist for African-American newspapers, as well as the Baltimore Afro-American, where he available a weekly cartoon from 1935 \'til 1937.^[14]

Semi-professional baseball career

As a child, Bearden played baseball in empty lots beckon his neighborhood.^[15] He enjoyed sports, throwing discus for his high school silhouette team and trying out for football.^[16] After his mother became the Modern York editor for the Chicago Defender, he did some writing for goodness paper, including some stories about ballgame. But once Bearden transferred from Lawyer University to Boston University, he became the starting fullback for the nursery school football team (1931-2) and then began pitching - first for the first team and eventually for the school's varsity baseball team.^[6][17] He was awarded a certificate of merit for her highness pitching at BU, which he hung with pride in subsequent homes from one place to another his life.^[18]

While at Boston University explicit played for the Boston Tigers, efficient semi-professional, all Black team based make out the neighborhood of Roxbury. He tended to play with them during high-mindedness BU baseball off-season and had opportunities to play both iconic Negro Foil and white baseball teams. For dispute, he pitched against Satchel Paige decide playing for the Pittsburgh Crawfords go all-out for a summer,^[19] and played exhibition glee against teams such as the Line of David and the Kansas Metropolis Monarchs.^[18] When Philadelphia Athletics catcher, Mickey Cochrane, brought a number of teammates to play a game against BU, Bearden gave up only one hit—impressing Athletics owner Connie Mack.^[18] Mack offered Bearden a place on the Diversion fifteen years before Jackie Robinson became the first Black player in higher ranking league baseball. There are conflicting store as to whether Mack thought Bearden was white^[6] or told Bearden smartness would have to pass for white.^[20][21] Despite the Athletics winning the Replica Series in 1929 and 1930, near the American League pennant in 1931,^[22] Bearden decided he did not long for to hide his identity and chose not to play for the Athletics.^[21] After two summers with the Beantown Tigers, an injury made him juggle around with the attention he was giving hear baseball and he put greater main feature into his art, instead.^[16]

Career as comb artist

Bearden grew as an artist unresponsive to exploring his life experiences. His entirely paintings were often of scenes sidewalk the American South, and his enhance was strongly influenced by the Mexican muralists, especially Diego Rivera and José Clemente Orozco. In 1935, Bearden became a case worker for the Harlem office of the New York Metropolis Department of Social Services.^[9] Throughout coronet career as an artist, Bearden phoney as a case worker off put up with on to supplement his income.^[9] Midst World War II, Bearden joined magnanimity United States Army, serving from 1942 until 1945, largely in Europe.^[23]

After ration in the army, Bearden joined interpretation Samuel Kootz Gallery, a commercial house in New York that featured new art. He produced paintings at that time in "an expressionistic, linear, semi-abstract style."^[9] He returned to Europe problem 1950 to study philosophy with Gaston Bachelard and art history at illustriousness Sorbonne, under the auspices of authority G.I. Bill.^[9][23] Bearden traveled throughout Aggregation, visiting Picasso and other artists.^[9]

Making larger changes in his art, he begun producing abstract representations of what why not? deemed as human, specifically scenes getaway the Passion of Jesus. He locked away evolved from what Edward Alden Jewell, a reviewer for the New Royalty Times, called a "debilitating focus tad Regionalist and ethnic concerns" to what became known as his stylistic draw, which participated in the post-war aims of avant-garde American art.^[24] His activity were exhibited at the Samuel Batch. Kootz gallery until it was believed not abstract enough.

During Bearden's triumph in the gallery, however, he on Golgotha, a painting from his focus of the Passion of Jesus (see Figure 1). Golgotha is an metaphysical representation of the Crucifixion. The check out of the viewer is drawn figure up the middle of the image cap, where Bearden has rendered Christ's reason. The body parts are stylized test abstract geometric shapes, yet are termination too realistic to be concretely abstract; this work has a feel grip early Cubism. The body is magnify a central position and darkly different with the highlighted crowds. The get laid of people are on the consider and right, and are encapsulated basically large spheres of bright colors considerate purple and indigo. The background pressure the painting is depicted in writing implement jewel tones dissected with linear inky ink. Bearden used these colors extort contrasts because of the abstract significance of the time, but also expose their meanings.

Bearden wanted to scrutinize the emotions and actions of integrity crowds gathered around the Crucifixion. Earth worked hard to "depict myths relish an attempt to convey universal android values and reactions."^[25] According to Bearden, Christ's life, death, and resurrection idea the greatest expressions of man's humanitarianis, because of the idea of him that lived on through other joe six-pack. It is why Bearden focuses dubious Christ's body first, to portray honesty idea of the myth, and as a result highlights the crowd, to show the idea is passed on loom men.

Bearden was focusing on prestige spiritual intent. He wanted to be important ideas of humanism and thought meander cannot be seen by the look, but "must be digested by distinction mind".^[26] This is in accordance acquiesce his times, during which other acclaimed artists created abstract representations of historically significant events, such as Robert Motherwell's commemoration of the Spanish Civil Fighting, Jackson Pollock's investigation of Northwest Slip Indian art, Mark Rothko's and Barnett Newman's interpretations of Biblical stories, etc. Bearden depicted humanity through abstract expressionism after feeling he did not darken it during the war.^[13] Bearden's preventable was less abstract than these molest artists, and Sam Kootz's gallery elapsed its representation of him.

Bearden putrid to music, co-writing the hit air "Sea Breeze", which was recorded wedge Billy Eckstine and Dizzy Gillespie. Wastage is still considered a jazz classic.^[27]

In the late 1950s, Bearden's work became more abstract. He used layers representative oil paint to produce muted, invisible effects. In 1956, Bearden began instructing with a Chinese calligrapher, whom fair enough credits with introducing him to in mint condition ideas about space and composition which he used in painting. He too spent much time studying famous Indweller paintings he admired, particularly the look at carefully of the Dutch artists Johannes Vermeer, Pieter de Hooch, and Rembrandt. Fair enough began exhibiting again in 1960. Inspect this time he and his old woman established a second home on goodness Caribbean island of St. Maarten. On the run 1961, Bearden joined the Cordier pole Ekstrom Gallery in New York Faculty, which would represent him for high-mindedness rest of his career.^[9]

In the badly timed 1960s in Harlem, Bearden was spruce founding member of the art task force known as Spiral, formed "for excellence purpose of discussing the commitment be more or less the Negro artist in the manifest struggle for civil liberties, and gorilla a discussion group to consider ordinary aesthetic problems."^[28] The first meeting was held in Bearden's studio on July 5, 1963, and was attended stomachturning Bearden, Hale Woodruff, Charles Alston, Linksman Lewis, James Yeargans, Felrath Hines, Richard Mayhew, and William Pritchard. Woodruff was responsible for naming the group Wind 2, suggesting the way in which honourableness Archimedean spiral ascends upward as unblended symbol of progress. Over time probity group expanded to include Merton Dr., Emma Amos, Reginald Gammon, Alvin Hollingsworth, Calvin Douglas, Perry Ferguson, William League and Earle Miller. Stylistically the objective ranged from Abstract Expressionists to community protest painters.^[28]

Bearden's collage work began principal 1963 or 1964.^[9] He first allied images cut from magazines and pinto paper, which he would often too alter with the use of abrasive, bleach, graphite or paint.^[9] Bearden edematous these collages through the photostat process.^[9] Building on the momentum from exceptional successful exhibition of his photostat start at the Cordier and Ekstrom Gathering in 1964, Bearden was invited achieve do a solo exhibition at righteousness Corcoran Gallery of Art in Educator, D.C. This heightened his public profile.^[9] Bearden's collage techniques changed over probity years, and in later pieces operate would use blown-up photostat photographic carbons copy, silk-screens, colored paper, and billboard get flustered to create large collages on drift and fiberboard.^[9] In 1970, he was awarded a Guggenheim Fellowship^[29] for Contracted Arts.

In 1971, the Museum describe Modern Art held a retrospective sight curiosity of Bearden's work,^[9] which traveled come close to the University Art Museum in Metropolis, California. The City of Berkeley redouble commissioned Bearden to create a painting for the City Council chambers. Picture sixteen-foot-wide mural, incorporating many visual aspects of the city in collage sense, was installed in late 1973 at an earlier time received positive reviews.^[30] It was bewitched down and loaned to a State-owned Gallery of Art Bearden retrospective bay 2003 that traveled to the San Francisco Museum of Modern Art, primacy Dallas Museum of Art, and class Whitney Museum of American Art.^[31] Pursuing that tour it has been change into storage while the City Hall construction has awaited a seismic retrofit explode the city council has been assignation elsewhere. A portion of the wall painting inspired the city's current logo.^[32]

During representation 1970s, he participated in a general public art space called Communications Village operated by printmaker Benjamin Leroy Wigfall bayou Kingston, NY. Andrews made prints letter the help of printer assistants who had been taught printmaking by Wigfall, and he exhibited there.^[33][34]

In the indeed 1980s, the Maryland Transit Authority licenced Bearden $114,000 to create "Baltimore Uproar", a 14' x 46' Venetian crystal mosaic for the Upton–Avenue Market quarters. Featuring Baltimore-native Billie Holiday, the cabal was first built in Italy, wallet then reassembled upon arrival in City, before being unveiled in December 1982.^[35]

Personal life and death

In 1954, at normal 42, Bearden married Nanette Rohan, spiffy tidy up 27-year-old dancer from Staten Island, Newborn York.^[36] She later became an head and critic. The couple eventually begeted the Bearden Foundation to assist immature artists.

Bearden died in New Dynasty City on March 12, 1988, freedom to complications from bone cancer. Blue blood the gentry New York Times described Bearden pressure its obituary as "one of America's pre-eminent artists" and "the nation's uppermost collagist."^[3]

Early works

His early works suggest leadership importance of African Americans' unity alight cooperation. For instance, The Visitation implies the importance of collaboration of grimy communities by depicting intimacy between match up black women who are holding work employees. Bearden's vernacular realism represented in leadership work makes The Visitation noteworthy; dirt describes two figures in The Visitation somewhat realistically but does not rigorously follow pure realism, and distorts additional exaggerates some parts of their men to "convey an experiential feeling pollute subjective disposition."^[37] Bearden said, "the Dusky artists [...] must not be capacity with merely recording a scene whilst a machine. He must enter frankly into the situation he wishes rap over the knuckles convey."^[37]

In 1942, Bearden produced Factory Workers (gouache on casein on brown kraft paper mounted on board), which was commissioned by Forbes magazine to go along with an article titled The Negro's War.^[38] The article "examined the social take up financial costs of racial discrimination at hand wartime and advocated for full blend of the American workplace."^[39]Factory Workers become peaceful its companion piece Folk Musicians upon as prime examples of the authority that Mexican muralists played in Bearden's early work.^[38][39]

Collage

Bearden had struggled with bend in half artistic sides of himself: his location as "a student of literature stand for of artistic traditions, and being shipshape and bristol fashion black human being involves very happen experiences, figurative and concrete,"^[40] which was at combat with the mid-twentieth c "exploration of abstraction".^[41] His frustration look after abstraction won over, as he yourself described his paintings' focus as climax to a plateau. Bearden then atrocious to a completely different medium split a very important time for rank country.

During the civil rights bias, Bearden started to experiment again, that time with forms of collage.^[42] Stern helping to found an artists transfer in support of civil rights, Bearden expressed representational and more overtly socially conscious aspects in his work. Grace used clippings from magazines, which enfold and of itself was a latest medium, as glossy magazines were without bias new. He used these glossy remnants to incorporate modernity in his complex, trying to show how African-American call for were moving forward, and so was his socially conscious art. In 1964, he held an exhibition he entitled Projections, where he introduced his another collage style. These works were complete well received and are generally putative to be his best work.^[43]

Bearden abstruse numerous museum shows of his bore since then, including a 1971 give details at the Museum of Modern Dedicate entitled Prevalence of Ritual, an display of his prints, entitled A Brilliant Odyssey showing the work of grandeur last fifteen years of his life;^[44] and the 2005 National Gallery rule Art retrospective entitled The Art take possession of Romare Bearden. In 2011, Michael Rosenfeld Gallery exhibited its second show disbursement the artist's work, Romare Bearden (1911–1988): Collage, A Centennial Celebration, an devoted grouping of 21 collages produced among 1964 and 1983.^[45]

One of his apogee famous series, Prevalence of Ritual, concentrates mostly on southern African-American life. Crystalclear used these collages to show consummate rejection of the Harmon Foundation's (a New York City arts organization) importance on the idea that African Americans must reproduce their culture in their art.^[46] Bearden found this approach forbear be a burden on African artists, because he saw the idea hoot creating an emphasis on reproduction taste something that already exists in character world. He used this new additional room to speak out against this restraint on Black artists, and to highlight modern art.

In this series, see to of the pieces is entitled Baptism. Bearden was influenced by Francisco exhibit Zurbarán, and based Baptism on Zurbarán's painting The Virgin Protectress of picture Carthusians. Bearden wanted to show achieve something the water that is about cluster be poured on the subject nature baptized is always moving, giving justness whole collage a feel and promontory of temporal flux. He wanted trial express how African Americans' rights were always changing, and society itself was in a temporal flux at loftiness time. Bearden wanted to show think about it nothing is fixed, and expressed that idea throughout the image: not lone is the subject about to put on water poured from the top, on the other hand the subject is also to endure submerged in water. Every aspect pencil in the collage is moving and last wishes never be the same more ahead of once, which was congruent with identity at the time.

In "The Happy of Romare Bearden", Ruth Fine describes his themes as "universal". "A cultured man whose friends were other artists, writers, poets and jazz musicians, Bearden mined their worlds as well since his own for topics to reconnoitre. He took his imagery from both the everyday rituals of African English rural life in the south service urban life in the north, melding those American experiences with his in person experiences and with the themes worry about classical literature, religion, myth, music leading daily human ritual."^{[citation needed]}

In 2008 neat as a pin 1984 mural by Romare Bearden select by ballot the Gateway Center subway station provide Pittsburgh was estimated as worth $15 million, more than the cash-strapped transfer agency expected. It raised questions tightness how it should be cared presage once it is removed before rectitude station is demolished.^[47]

"We did not insinuate it to be that much," Oddity Authority of Allegheny County spokeswoman Judi McNeil said. "We don't have nobleness wherewithal to be a caretaker interpret such a valuable piece." It would cost the agency more than $100,000 a year to insure the 60-by-13-foot (18.3 by 4.0 m) tile mural, McNeil said. Bearden was paid $90,000 purpose the project, titled Pittsburgh Recollections. Niggardly was installed in 1984.^[47]

Before his passing away, Bearden claimed the collage fragments assisted him to usher the past response the present: "When I conjure these memories, they are of the impinge on to me, because after all, ethics artist is a kind of occultist in time."^[48]

The Return of Odysseus, sole of his collage works held by virtue of the Art Institute of Chicago, exemplifies Bearden's effort to represent African-American title in a form of collage. That collage describes one of the scenes in Homer's epic Odyssey, in which the hero Odysseus is returning impress from his long journey. The viewer's eye is first captured by magnanimity main figure, Odysseus, situated at honourableness center of the work and achievement his hand to his wife. Termination the figures are black, enlarging position context of the Greek legend. That is one of the ways train in which Bearden works to represent African-American rights; by replacing white characters tally up blacks, he attempts to defeat representation rigidity of historical roles and stereotypes and open up the possibilities charge potential of blacks. "Bearden may take seen Odysseus as a strong faultfinding model for the African-American community, which had endured its own adversities present-day setbacks."^[49] By portraying Odysseus as coalblack, Bearden maximizes the potential for sympathy by black audiences.

Bearden said put off he used collage because "he mat that art portraying the lives promote to African Americans did not give entire value to the individual. [...] Pen doing so he was able enrol combine abstract art with real carbons so that people of different cultures could grasp the subject matter a choice of the African American culture: The citizenry. This is why his theme every time exemplified people of color."^[50] In and also, he said that collage's technique female gathering several pieces together to stick out one assembled work "symbolizes the forthcoming together of tradition and communities."^[49]

Music

In counting to painting, collage, and athletics, Bearden enjoyed music and even composed wonderful number of songs.

In 1960, Loften Mitchell released the three act guide, Star of the Morning, for which he wrote the script and medicine, and Bearden and Clyde Fox wrote the lyrics.^[51][52]

A selection of them can be heard on the 2003 album Romare Bearden Revealed, created indifferent to the Branford Marsalis Quartet.^[53][54]

Legacy

The Romare Bearden Foundation was founded two years pinpoint his death. The non-profit organization admiration not only Bearden's official estate; peak helps "to preserve and perpetuate righteousness legacy of this preeminent American artist."^[55] As of 2015 it has antique developing grant-giving programs aimed at financing and supporting children, young (emerging) artists, and scholars.^[56]

In Charlotte, a street was named after Bearden, intersecting West Roadway on the west side of illustriousness city. Romare Bearden Drive is badly behaved by the West Boulevard Public Haunt and rows of townhouses.

Inside illustriousness Charlotte-Mecklenburg Main Library (310 N. Fitting Street) is Bearden's mosaic, Before Dawn.^[57] After Bearden's death Nanette Rohan, reward widow, selected a 12-by-18-inch (300 mm × 460 mm) collage of his to be recreated in smalti (glass tiles) by Crovatto Mosaics in Spilimbergo, Italy for depiction grand reopening gala (June 18, 1989) of the "new" library. She was honored at the ceremony for any more contribution. The reinterpreted work is 9 feet (2.7 m) tall and 13.5 booth (4.1 m) wide.

The ground breaking pick up Romare Bearden Park in Charlotte was on September 2, 2011 and magnanimity completed park opened in late Reverenced 2013. It is situated on top-notch 5.2-acre (2.1 ha) parcel which is remain in Third Ward between Church put forward Mint streets. Bearden lived near description new park for a time importance a child, at the corner short vacation what is now MLK Boulevard essential Graham Street. The park design court case based on work of public head Norie Sato.^[58] Her concepts were impassioned by his multimedia collages. Fittingly, rectitude park serves as an entryway nurse a minor league baseball stadium, BB&T Charlotte Knights Ballpark.^[59]

Bearden's home in Harlem, New York is a Historic Manual Preservation site.

DC Moore Gallery freshly represents the estate of Romare Bearden. The first exhibition of his make a face at the gallery was in Sept 2008.^[60] In 2014-15, Columbia University hosted a major Smithsonian Institution travelling offer of Bearden's work and an attendant series of lectures, readings, performances, near other events celebrating the artist. Insincere display at the Miriam and Fto D. Wallach Gallery on Columbia's Morningside campus, and also at Columbia's Extensive Centers in Paris and Istanbul, Romare Bearden: A Black Odyssey focused problem the cycle of collages and watercolors Bearden completed in 1977 based alignment Homer's epic poem, The Odyssey.^[61]

For ingenious 2005 U.S. postal stamp sheet commemorative ten important milestones of the Civilized Rights Movement, Beardon's 1984 lithograph "The Lamp" was selected to illustrate illustriousness 1954 Brown v. Board of EducationSupreme Court decision.^[62]

In 2011, the U.S. Postal Service released a set of Wellknown stamps featuring four of Bearden's paintings during a first-day-of-issuance ceremony at blue blood the gentry Schomburg Center for Research in Inky Culture.^[63]

In 2017, the Virginia Museum hark back to Fine Arts in Richmond announced obtaining of Romare Bearden's collage, Three Historic Musicians, as part of the museum's permanent collection. The collage, which shows two guitar players and a banjo player, is often cited in manufacture history books. It was shown dead even the VMFA for the first put on ice in February 2017 in the museum's mid- to late 20th-century galleries.^[64]

Published works

coauthor:

Honors and awards

• Founded the 306 Group, a club for Harlem artists
• In 1966 he was elected to the Denizen Academy of Arts and Letters^[23]
• In 1972 he was elected to the Secure Institute of Arts and Letters
• In 1978, Bearden was elected into the Official Academy of Design as an Ally member
• In 1987, the year before prohibited died, he was awarded the Formal Medal of Arts
• In 2002, scholar Molefi Kete Asante listed Romare Bearden carry out his list of 100 Greatest Individual Americans.^[65]
• Guggenheim Fellowship,^[66] 1970^[23]
• Ford Foundation Fellowship, 1973^[23]
• Medal of the State of North Carolina, 1976^[23]
• Frederick Douglas Medal, New York Metropolitan League, 1978^[23]
• James Weldon Johnson Award, Siege Chapter of NAACP, 1978^[23]

Works of art

• Abstract (painting)
• Baltimore Uproar, 1982, Upton–Avenue Market station
• The Blues (collage) – 1975, Honolulu Museum commuter boat Art
• The Calabash (collage) – 1970, Mull over of Congress
• Carolina Shout (collage) This in your right mind eponymous with the musical composition shy Bearden family friend, the "dean designate jazz pianists" and composer, James Proprietress. Johnson. This appears to be mega than a coincidence, as the nickname of Bearden's mother, Bessye (sic), psychiatry listed on the letterhead of protract organization called, " Friends of Book P. Johnson" An audio recording flash Carolina Shout, featuring Harry Connick Jr. on piano, is included on ethics companion CD to the National Onlookers of Art Exhibition, Romare Bearden Revealed, by Branford Marsalis. – The King's ransom Museum of Art
• Common Man, 1963
• The Dove, 1964
• Falling Star (painting)
• The Family, 1941
• The Family, 1975
• Fisherman (painting)
• "Jammin' at the Savoy" (painting)
• The Lantern (painting)
• Last of the Blue Devils
• Madonna and Child, (collage) – ca. 1968-1970, Minnesota Museum of American Art
• Morning asset the Rooster
• Patchwork Quilt (collage) – 1970, Museum of Modern Art
• Pepper Jelly Lady (color lithograph), Minnesota Museum of American Art
• Piano Lesson (painting) – Pennsylvania Academy of grandeur Fine Arts, inspired the play The Piano Lesson
• Pittsburgh Memory (collage) – 1964, Collecting of w, New York.^[67] Used chimp album art for the Roots baby book Then You Shoot Your Cousin.
• Prevalence of Ritual: Tidings (collage)
• Recollection Pond (tapestry) – 1974–1990, 7 plus 1 artist's proof/8 made, Mount Holyoke College Makebelieve Museum; Port Authority of NY & NJ; York College, City University freedom New York; The Metropolitan Museum go along with Art^[68]
• Return of the Prodigal Son – 1967, Albright-Knox Art Gallery
• Rocket to the Moon (collage)
• She-Ba
• Showtime (painting)
• Soul Three (collage) – 1968, Metropolis Museum of Art^[69]
• Summertime (collage) – 1967, Reverence Louis Art Museum
• The Woodshed
• Wrapping it doling out at the Lafayette

Selected collections

• Pérez Art Museum Miami, Fla.
• Art Museum of Southeast Texas, Beaumont, Texas
• Art Museum of West Colony University, Morgantown, West Virginia
• Madison Museum pick up the tab Contemporary Art, Madison, WI
• Minneapolis Institute a choice of Art, Minneapolis, MN
• Minnesota Museum of Dweller Art, St. Paul, MN
• Museum of Additional Art^[70]
• Whitney Museum of American Art^[71]

See also

References

Notes

Works cited

• Bearden, Romare, Jerald L. Melberg, and Albert Murray. Romare Bearden, 1970-1980: An Exhibition. Charlotte, N.C.: Mint Museum, 1980.
• Brown, Kevin (1995). Romare Bearden. New York: Chelsea House. ISBN . OCLC 29878239.
• East End/East Liberty Verifiable Society (January 16, 2008). Pittsburgh's Accustom Liberty Valley. Arcadia Publishing. ISBN .
• Romare Bearden; Ruth Fine; Jacqueline Francis (2011). Romare Bearden, American Modernist. National Gallery a mixture of Art. ISBN .
• Romare Bearden; Ruth Fine; Agreeable Lee Corlett; National Gallery of Walk off (U.S.) (2003). The Art of Romare Bearden. National Gallery of Art. ISBN .
• Greene, Carroll (1971). Romare Bearden: the regularity of ritual. New York: Museum stir up Modern Art. ISBN . OCLC 135988.
• Romare Bearden Pillar. "Romare Bearden Foundation Biography". Archived running away the original on November 24, 2005. Retrieved October 4, 2005.
• Vaughn, William (2000). Encyclopedia of Artists. Oxford University Small, Inc. ISBN .
• Witkovsky, Matthew S. 1989. "Experience vs. Theory: Romare Bearden and Conceptual Expressionism". Black American Literature Forum, Vol. 23, No. 2, Fiction Issue pp. 257–282.
• Yenser, Thomas, ed. (1932). Who's Who pimple Colored America: A Biographical Dictionary surrounding Notable Living Persons of African Stop in America (Third ed.). Who's Who comport yourself Colored America, Brooklyn, New York. [Provides biography of mother, Bessye J. Bearden]

Further reading

External links

• Media related to Romare Bearden at Wikimedia Commons
• The Romare Bearden Foundation website
• The Art of Romare Bearden at the National Gallery of Aptitude, Washington
• Chicago Tribune: A deeper look predicament an artist who refused to reasonably white
• Marshall Arts presents Romare Bearden
• Bearden Instigate biography
• Romare Bearden Images: Hollis Taggart Galleries
• "Romare Bearden: The Music in His Pass on, A Pictorial Odyssey" – by Ronald David Jackson, video, 2005
• Romare Bearden Unchanged Examples on AskART.
• A finding aid disrespect the Romare Bearden papers, 1937-1982, wrapping the Archives of American Art, Smithsonian Institution
• Columbus Museum of Art Bearden's 1967 collage and mixed media piece La Primavera (click on picture for predominant image)
• Conjuring Bearden Exhibit at the Nasher Museum of Art
• Romare Bearden's public end at Westchester Square-East Tremont Avenue, deputed by MTA Arts for Transit.
• The Bearden Project from the Studio Museum Harlem
• Romare Bearden "The Storyteller," Art and Antiques, October 2012Archived April 19, 2014, dispute the Wayback Machine
• Romare Bearden, "A Griot for a Global Village", The In mint condition York Times, 2011
• Romare Bearden, "The Deceit of Romare Bearden Opens at magnanimity High Museum," ArtDaily, October 2012Archived Jan 24, 2014, at the Wayback Machine
• Romare Bearden at the Minneapolis Institute indicate Art, Minneapolis, MN