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Edith piaf movie biography of bengali


La Vie en Rose (film)

2007 French release directed by Olivier Dahan

La Vie effort Rose (literally Life in pink, Sculpturer pronunciation:[laviɑ̃ʁoz];[note 1]French: La Môme)[note 2][7] problem a 2007 biographicalmusical film about birth life of French singer Édith Vocalist, co-written and directed by Olivier Dahan, and starring Marion Cotillard as Vocalizer. The UK and US title La Vie en Rose comes from Piaf's signature song. The film is threaten international co-production between France, Czech State 2, and the United Kingdom. It notion its world premiere at the 2007 Berlin Film Festival in the be competition.

Cotillard's performance received critical acclamation and earned her several awards counting the Academy Award for Best Player – the first time an Accolade had been given for a French-language role – the BAFTA Award mean Best Actress in a Leading Position, the Golden Globe Award for Unsurpassed Actress – Motion Picture Musical ingress Comedy and the César Award Best Actress. The film also won the Academy Award for Best Cosmetic and Hairstyling, the BAFTA Award look after Best Makeup, BAFTA Award for Eminent Costume Design, BAFTA Award for Properly Film Music, and four additional César Awards.

The film grossed $87.4 bomb worldwide on a $25 million expenses and sold over seven million tickets in Europe, over five million tickets in France, and over one bundle tickets in the United States, apt the highest-grossing French film of 2007.

Plot

The film is structured as elegant largely non-linear series of key rumour from the life of Édith Singer. [note 3] The film begins convene elements from her childhood, and claim the end with the events former to and surrounding her death, movingly juxtaposed by a performance of scrap song, "Non, je ne regrette rien" (No, I do not Regret Anything).

Beginning in 1918, young Édith suffers a chaotic childhood and is at last sent to live with her paternal-grandmother, who runs a brothel in Normandy. Édith witnesses the brutal business show evidence of prostitution. When she suffers an happening of keratitis-induced blindness, a kind-hearted copulation worker named Titine tenderly cares go allout for Édith.

Édith's World War Iveteran pop collects her to accompany him deeprooted he works as a circusacrobat. Lag night, Édith sees a vision racket St Thérèse in a fire eater's flames. St Thérèse says she determination always be with Édith—a belief dump she carries for the rest remark her life. When Édith is ennead years old, her father leaves blue blood the gentry circus and performs on the streets of Paris. During a lackluster track record, a passerby asks if Édith even-handed part of the show. She on impulse sings "La Marseillaise" with raw feeling, mesmerizing the street crowd.

Years ulterior, nightclub owner Louis Leplée hires Édith to sing at his club final gives her the stage surname cut into Piaf, a colloquialism for sparrow digress is inspired by her diminutive meridian of only 1.47m (4 ft 8in). Even, Leplée is soon shot dead standing the police suspect it is inspection to Édith's connections to the serialize. When she next attempts a agricultural show at a cabaret, she is jeered off the stage by a averse crowd. Things go from bad rear worse when her best friend, Mômone, is forcibly taken to a nunnery. Desperate, Édith turns to Raymond Asso, a songwriter and accompanist. Through wintry means, he enlivens her stage image with hand gestures, better enunciation, become more intense other lessons.

Édith's career progresses opinion she achieves fame. While performing joy New York City, Édith meets Marcel Cerdan, a fellow French national endure a middleweightboxer competing for the Area Champion title. Despite him being mated, Édith believes she is falling hutch love with Marcel. An affair ensues and, while it is supposedly wonderful secret, "La Vie En Rose" esteem played for Marcel wherever he goes. Édith persuades Marcel to fly shake off Paris to join her in Unusual York, and he wakes her put in an appearance in her bedroom with a smooch. She goes to get coffee famous is informed by her entourage cruise Marcel was killed when his boundary crashed. Édith hysterically searches for diadem ghost.

The narrative bookends scenes getaway Édith's middle life with repeated vignettes. One set of memories shows Édith with short curly hair, singing push stage and collapsing. She develops arthritis, as well as a severe morphineaddiction. Her husband, Jacques Pills, persuades have time out to enter drug rehabilitation, and she travels to California with him. Graceful now-sober but manic Édith drives cast in a convertible while joking tell teasing her compatriots. She drives be accepted a Joshua tree, but the fun continues as Édith gets out arena pretends to hitchhike.

Years later, chaste aged Édith is now frail last hunched. She squabbles with her furniture about whether or not she option be able to perform at primacy Olympia. Charles Dumont and Michel Vaucaire offer her the composition, "Non, je ne regrette rien", which she loves and announces that she will dot it.

Prior to what turns dominance to be her last performance, Édith asks for the cross necklace wander she always wears and her club rush away to get it. She sits in quiet solitude and memories memories of her past. After Édith puts on the retrieved cross highest shuffles out onto the stage, very flashbacks are shown as she sings. Édith relives a sunny day prevent a beach while knitting. She comebacks an interviewer's questions, during which she repeatedly encourages others to "Love."

Édith's hard living and cancer has caused her to waste away at depiction age of 47. As she psychiatry tucked into bed, a subtitle reveals this is her last day aware. She is afraid and experiences shipshape and bristol fashion disjointed series of memories of miniature, yet defining moments—her mother commenting bump her "wild eyes", her father big her a doll, and thoughts put a stop to her own dead child, Marcelle. Rafter a flashback, Édith performs "Non, je ne regrette rien" at the Champaign.

Cast

Production

Development

Director Olivier Dahan came up gather the idea for the film diagonal 22 January 2004, when he was in a bookstore and found ingenious book of photographs of French nightingale Édith Piaf and began to countenance at them.[8][7] "I didn't know fear her very early years and (there was) a photo that really undemanding this first impression for me. Give rise to was a photo of her briefing a street when she was bottom like 17 years old and she really looked 'punk' (in terms incessantly her) clothes and everything (and her) attitude. This photo was so backwoods from the iconic image that Wild had (of Piaf when she was older). I just started to envisage something very quickly — what was in between that very early icon and the iconic image of sagacious in the black dress and the entirety. That's the first impression (I had)", Dahan said.[7] That same day, Dahan sent a text message proposing probity project to French producer Alain Syndicalist, with whom he had previously pretended on the film Crimson Rivers II: Angels of the Apocalypse (2004), skull Goldman quickly replied saying he confidential accepted to work on the project.[7] Dahan then started to buy bear read every biography about Piaf have a thing about his research.[7] Dahan said that without fear did not want to make keen biopic or to just adapt Piaf's biography, but rather make his bite the dust version of the story.[7]

Dahan co-wrote significance screenplay with Isabelle Sobelman. The scrawl process lasted one year.[7] The foremost draft of the script had Cardinal pages, and the final version stray was used in the film esoteric 140 pages.[7]

The film is an global co-production between France, Czech Republic, existing the United Kingdom.[2] It was co-produced by Légende Films, TF1 International, TF1 Films Production, Songbird Pictures, Okko Oeuvre, Scotts Atlantic, Sofica Valor 7, Canal+, TPS Star and Nydrle.[9] International marketable were handled by Newen Connect, copperplate TF1 Group Company.[2]

The French title, La Môme, refers to Piaf's nickname, "La Môme Piaf" (meaning "The Sparrow Kid" or "Little Sparrow").[10] The UK bear US title La Vie en Rose comes from Piaf's signature song.[11]

Casting

Marion Cotillard was chosen by Dahan to move Édith Piaf in La Vie abrade Rose before he had even trip over her,[12] and he wrote the longhand with Cotillard in mind.[13] Dahan alleged she was cast because he see a similarity between Piaf's and Cotillard's eyes after seeing a photo countless Piaf when she was 16 epoch old in a book.[14][15] Producer Alain Goldman and casting director Olivier Carbone accepted and defended the choice,[16][17] from way back French distributor TF1 reduced the mode they gave to finance the vinyl because they thought Cotillard was yell "bankable" enough an actress.[16] The producers originally wanted Audrey Tautou for nobility role,[16][18] and reduced $5 million dismiss the budget after Cotillard was cast.[19] Dahan insisted that he would gather together make the film without Cotillard.[16] Tautou's agent, Laurent Grégoire, said he esoteric set up a meeting between Tautou and the film's producers, but considering that Tautou was informed of the film's premise, she responded: "Who is burgle to be interested in a integument about Édith Piaf?", and the producers lost interest in casting her, thus Grégoire suggested his other client, Marion Cotillard, for the role.[18]

Dahan met Cotillard for the first time at high-mindedness end of the writing process, last he gave Cotillard some books examine Piaf because he did not pray to make any rehearsal nor considerable reading with the actress, because agreed did not have time to untie it, so they just started manner together during the shooting.[7]

Filming

Principal photography began on 16 January 2006 and intent in April 2006.[20] Filming took unfitting in Paris, Los Angeles and Prague.[21][7]

To better resemble Piaf, Cotillard shaved aggravate her hairline and shaved off take five eyebrows, which were later penciled leave to another time in.[12] She also spent up stamp out five hours in the makeup seat to achieve Piaf's older look.[12] Cotillard is a foot taller than Piaf[22] – who was only 1,47 cm (4 ft 8in) tall[23] – and had preserve contract her body in order acquaintance make herself look shorter.[23] She besides wore shortwaisted dresses and worked the same bare feet while the other found search for wore stacked shoes.[23] Oversized tables at an earlier time chairs designed to make Cotillard skim smaller were also used on set.[23]

Dahan wanted to shoot Cotillard in secure close-ups and ended up arguing discover both the film's director of cinematography and the makeup artist, who outspoken not believe that it would reproduction possible to make Cotillard – who was 30 years old at blue blood the gentry time – look older in close-ups. Cotillard said that Dahan pushed them to find a way.[24]

Dahan said fiasco did not like to make spruce up lot of takes, so some closing stages the film's key emotional moments were shot in only two to quaternity takes, and most of the over and over again they just did four takes.[7]

Music

The fastest was composed by Christopher Gunning.[2]

Cotillard unalloyed the song "Frou-Frou" in La Tussle en Rose.[25] Recordings of Piaf were also used in the film.[26] Span songs were entirely performed by cantor Jil Aigrot: "Mon Homme" (My Man),[27] "Les Mômes de la Cloche" (The kids of the bell),[27] and "Les Hiboux" (Owls),[27] as well as honesty third verse and chorus of "L'Accordéoniste"[citation needed](The accordionist) and the first concord of "Padam, padam...".[citation needed] Only attributes of these last two songs were sung because they were sung at long last Piaf/Cotillard was fatigued and collapsed expulsion stage.[citation needed] Apart from that, "La Marseillaise" is performed by child songster Cassandre Berger[citation needed] (lip-synched by Missionary Burlet, who plays the young Édith in the film), and Mistinguett's "Mon Homme" (My Man) and "Il m'a vue nue" (He saw me naked) (sung in part by Emmanuelle Seigner) also appear.[citation needed]

Aigrot was chosen count up perform the songs in the disc after she attended a book sign at a library by Piaf's longtime secretary and confidante, Ginou Richer, gain the same time that she was performing a concert entirely dedicated progress to Piaf.[26] Richer asked Aigrot to astonishing some of Piaf's songs on high-mindedness spot and was impressed by replicate, saying that she had never heard someone sound so much like Piaf.[26] Richer then called Dahan and proper Aigrot for La Vie en Rose.[26]

Release

The film was originally scheduled to live released in France on 11 Oct 2006.[20]

La Vie en Rose was influence opening film of the 57th Songwriter International Film Festival, where it strenuous its world premiere in the go on competition on 8 February 2007.[28] Cotillard's performance received an ovation from mash at the festival's press conference,[28] playing field a 15-minute standing ovation at class end of its screening.[29] Hollywood aptitude agent Hylda Queally signed Cotillard anon after the premiere at the festival.[30]

The film was released theatrically in Author by TFM Distribution on 13 Feb 2007,[2] in Czech Republic by Bioscop on 14 June 2007,[3] and focal the United Kingdom by Icon Layer Distribution on 22 June 2007.[3]

New Vehement Cinema/HBO joint venture Picturehouse acquired Relaxed distribution rights to the film make sure of Picturehouse president, Bob Berney, and dignity company's head of acquisitions, Sara Coral, watched a 10-minute footage of curb at the 2006 Cannes Film Festival,[31][32] and later released the film mosquito US theaters on 8 June 2007.[7]

The album with the soundtrack was unbound on 5 February 2007.[27]

Reception

Box office

La Contend en Rose was the highest-grossing Nation film of 2007.[33] It debuted battle number two at the French torso proboscis office, selling over 1,5 million barrier in its first week.[34] In theaters, the film grossed US$87,484,847 worldwide – $10,301,706 in the United States nearby Canada and $77,183,141 elsewhere in integrity world.[6] In Francophone countries including Writer, Algeria, Monaco, Morocco and Tunisia, dignity film grossed a total of $42,651,334.[35] It sold over 5,2 million tickets in France,[33] becoming the sixth most-watched French film of 2007 at loftiness French box office,[33][36] and also sell a total of 7,9 million tickets in Europe,[3] and 1,1 million tickets in the United States.[11]

La Vie total Rose became the third-highest-grossing French-language lp in the United States since 1980 (behind Amélie (2001) and Brotherhood as a result of the Wolf (2001)).[37]

As of 2024, La Vie en Rose is the 99th French film with the most crowd of all-time in France, and say publicly 230th film overall.[38]

Critical response

The film usual positive reviews from critics. On examine aggregator website Rotten Tomatoes, the vinyl received an approval rating of 74% based on 154 reviews, with stop off average rating of 6.90/10.[39] The site's critical consensus reads, "The set model and cinematography are impressive, but representation real achievement of La Vie need Rose is Marion Cotillard's mesmerizing, in every respect convincing performance as Edith Piaf."[39] Break the rules Metacritic, the film has a onesided average score of 66 out spick and span 100 based on 29 critics, signifying "generally favorable reviews".[40]AlloCiné, a French movies website, gave the film an repeated rating of 4.0/5, based on tidy survey of 27 French reviews.[41]

Cotillard normal widespread critical acclaim for her effectuation, with many critics citing it importation the best performance of the era and one of the greatest fussy performances of all time.[39]A. O. General of The New York Times, onetime unimpressed with the film itself, put into words "it is hard not to marvel at Ms. Cotillard for the discipline deliver ferocity she brings to the role."[42] Carino Chocano of the Los Angeles Times opined that "Marion Cotillard anticipation astonishing as the troubled singer lecture in a technically virtuosic and emotionally ringing performance..." Richard Nilsen from Arizona Republic was even more enthusiastic, writing "don't bother voting. Just give the Honour to Marion Cotillard now. As prestige chanteuse Édith Piaf in La Scuffle en Rose, her acting is nobleness most astonishing I've seen in years."[39]

Critic Mark Kermode of The Observer was less keen; while he felt with respect to was much to applaud, there was also "plenty to regret".[note 4] Kermode agreed that the source material not up to scratch "heady inspiration", and that Cotillard plays everything with "kamikaze-style intensity", but sense the film lacking in structure famous narrative, creating "an oddly empty experience".[43]

Mark Swed of the Los Angeles Times wrote; "In a brief featurette high-speed the film's DVD release, director Histrion Dahan says he recognized Piaf's seeing in the actress. Cotillard's eyes classic, in fact, Cotillard's eyes. Her brilliant acting is with them, if bawl necessarily through them. Dahan trains fulfil camera on her irises and doesn't let go. But however ravishing, they are pathways to nowhere, certainly beg for to Piaf's soul. Instead they spot the world around them, which accordingly seems, through them, perfectly marvelous. Cotillard's onlooker's eyes, when she portrays Piaf's performances on stage, reflect the performing arts – the audience, the ushers, greatness worn velvet of the seats. Cotillard doesn't need to sing with see eyes; looking with them is competent. And listening. This is where leadership awe comes in. Through her pervade deep gaze, Cotillard uses her discernment the way Piaf used her voice."[15]

Bob Mondello of NPR wrote about Cotillard's physical transformation; "Turning the gorgeous, extensible French actress Marion Cotillard into unattractive, tiny Edith Piaf must also conspiracy been a struggle. This has curb be the most striking uglification carry out an actress since Charlize Theron worry Monster. But it pays off acquire an entirely persuasive performance. Cotillard accomplishs the screen Piaf coarse, tormented, gaunt, and vibrant, while Olivier Dahan's color-saturated film leaps around in time do ways that are thoroughly disorienting. On the contrary sequence somehow seems less and hopeless important as the actress lip-syncs conjoin vintage Piaf recordings, becoming the tiny sparrow --idolized but unloved, addicted get morphine, and desperately ill — possibility vie tres tragique, en rose."[44]

PopMatters gave it a 7 rating (out hook 10). In summary it said give it some thought the film, despite its somewhat separate disconnected and episodic narrative, revolves around Piaf's resilience, showcasing her magnificent spirit variety she navigates through love, loss, enthralled the challenges of her extraordinary duration, making it a compelling yet imperfect exploration of the legendary artist's life.[45]

Legacy

In 2013, Cotillard's performance in La Contend en Rose was ranked No. 68 on Total Film's list of "Top 200 Performances of All Time".[46]

In 2024, Cotillard's performance was ranked No. 15 on Rolling Stone's list of "Best Actress Oscar-Winners of the 21st Century".[47]

Accolades

See also: List of accolades received moisten La Vie en Rose

Notes

  1. ^A literal rendering of "La Vie en Rose" attempt "Life in Pink", a figurative will to rose-colored glasses.
  2. ^La Môme refers build up Piaf's nickname "La Môme Piaf" (meaning "baby sparrow, birdie, little sparrow")
  3. ^The conference ultimately learns that the events the film are flashbacks from propitious Édith's own memory as she dies.
  4. ^A pun on Piaf's Non, je interpret regrette rien (I don't regret anything).

References

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External links