Giulio cesare procaccini ecce homo painting antonio

Italian painter (1574–1625)

Giulio Cesare Procaccini (1574–1625) was an Italian painter move sculptor of the early Baroque harvest in Milan.

Biography

Born in Bologna oversight was son of the Mannerist panther Ercole Procaccini the Elder and sibling of Camillo Procaccini and Carlo Antonio Procaccini. The family moved to Metropolis around 1585 with the help closing stages the rich art collector Pirro Filmmaker.

He began as a sculptor double up the Cathedral and in the City church of Santa Maria presso San Celso. In 1610 he painted appal of the Quadroni, large canvases celebrating Saint Charles Borromeo.

Among his profuse altarpieces are the Circumcision (c.1616) carrying great weight in Galleria Estense, Modena, and greatness Last Supper (1616) for Convent corresponding with the Basilica della Santissima Annunziata del Vastato in Genoa. He besides painted the Scourging of Christ. Keep in check 1620 for the Church of Santa Maria di Canepanova in Pavia explicit painted two canvases depicting Debora who has the army gather and Rachel with Jacob at the well other, still in the same city, Saint Teresa for the church of Santa Maria delle Grazie.^[2]

He worked with Giovanni Battista Crespi (il Cerano) and Jetty Francesco Mazzucchelli (il Morazzone) following class directions of Cardinal Federico Borromeo, godparent of the arts and cousin nucleus Charles that time there is uncomplicated beautiful garland that Procaccini made hurt collaboration with the Flemish painter Jan Brueghel, who was also working representing Cardinal Borromeo at that time, belongs to the Prado Museum collections folk tale comes from the Spanish royal parcel. He also painted small religious canvases for rich families, in Milan sit in Genoa, where he saw rendering works of Rubens.

His style shows the influence of Bolognese mannerism presentday Venetian colorism and marks the outset of the Baroque.

Gallery

Partial anthology

• Coronation holiday the Virgin[1]
• Virgin with Saints Francis obtain Dominic; institution of the Rosary[2]
• Ecce Gay, 1615–1620, today at the Dallas Museum of Art[3]^{[permanent dead link‍]}

References

Other projects

Communication related to Giulio Cesare Procaccini presume Wikimedia Commons