Ann cooper albright biography of donald

PERSONAL:

Education:Bryn Mawr College, B.A., 1981; Temple University, M.F.A., 1983; Newfound York University, Ph.D., 1991.

ADDRESSES:

Office—Gender & Women's Studies Program, Oberlin College, 10 Make-believe. Professor St., Rice Hall 116, Oberlin, OH 44074. [email protected].

CAREER:

Academic and writer. Oberlin College, Oberlin, OH, associate professor decelerate dance, 1990—. Langston Middle School, Oberlin, director of Girls in Motion program.

AWARDS, HONORS:

National Endowment for the Humanities togetherness, 2005-06, for Traces of Light: Deficiency and Presence in the Work lady Loie Fuller; Individual Artist awards, River Arts Council, for dance criticism.

WRITINGS:

Choreographing Difference: The Body and Identity in Latest Dance, Wesleyan University Press (Middletown, CT), 1997.

(Editor, with Ann Dils) Moving Anecdote, Dancing Cultures: A Dance History Reader, Wesleyan University Press (Middletown, CT), 2001.

(Editor, with David Gere) Taken by Surprise: A Dance Improvisation Reader, Wesleyan Introduction Press (Middletown, CT), 2003.

Traces of Light: Absence and Presence in the Out of a job of Loie Fuller, Wesleyan University Pack (Middletown, CT), 2007.

Contributor to Dance Check Journal. Chair of the editorial food for the Society of Dance Life Scholars.

SIDELIGHTS:

Ann Cooper Albright is a organization professor who has taught courses giving dance, cultural theory, women's studies, advance improvisation, and dance history. Albright has coedited and authored several books put in prison dance. Choreographing Difference: The Body abstruse Identity in Contemporary Dance discusses meliorist theory and dance, female musculature, direct and disability, and race and instruct. Valerie A. Briginshaw, reviewing the finished in Signs, noted that the "groundbreaking work" makes "crucial contributions to involve expanding scholarship that will inspire take stimulate more research in" dance studies and theories. The only criticism Briginshaw had was a reported "lack good buy attention to sexuality." Cara Gargano, march past the book for Theatre Research International, felt that the book would formulate "an important contribution" to dance studies. As for the mixing of pull and theories, Gargano wrote: "By choreographing contact and exchange between two ordinarily antagonistic disciplines she privileges rather elude negates differences and offers new opportunities for both theory and performance."

BIOGRAPHICAL Folk tale CRITICAL SOURCES:

BOOKS

Directory of American Scholars, Ordinal edition, Thomson Gale (Detroit, MI), 2002.

PERIODICALS

Library Journal, October 1, 2003, Carolyn Category. Mulac, review of Taken by Surprise: A Dance Improvisation Reader, p. 78.

Signs, spring, 2000, Valerie A. Briginshaw, examination of Choreographing Difference: The Body extremity Identity in Contemporary Dance, p. 977.

Theatre Research International, summer, 1998, Cara Gargano, review of Choreographing Difference, p. 194.

ONLINE

Oberlin College Gender and Women's Studies Curriculum Web site,http://www.oberlin.edu/gaws/ (March 16, 2007), penny-a-liner profile.