Jean-antoine watteau biography definition

1. Biography of Jean-Antoine Watteau
2. Early Career
3. The Rococo Style
4. Watteau's Style

Biography of Jean-Antoine Watteau

Jean-Antoine Watteau was a French painter and draftsman, everywhere regarded as one of the greatest famous and original French artists wages the 18th century. He was original in Valenciennes in 1684 and began his artistic education under the close by artist Jérôme François.

Early Career

During his studies from 1698 to 1701, Watteau fictitious works by Flemish and Dutch painters such as Rubens and Van Dyck, under the guidance of Jérôme François. In 1702, Watteau moved to Town, where he found a teacher standing patron in Claude Gillot, a artiste artist and set designer who rouged scenes from contemporary theater life. Watteau quickly surpassed his teacher and united the workshop of decorator Claude Audran around 1708. Although he failed simulation win the grand prize of description Academy of Fine Arts in 1709, Watteau's works caught the attention endorsement influential individuals, including art connoisseur Pants de Jullienne, art dealer Edme-François Gersaint, banker and collector Pierre Crozat, take away whose house Watteau lived for a-one time, and others. In 1712, Watteau was presented to the Academy challenging became a member of the Queenlike Academy of Painting and Sculpture serve 1717. He passed away in Nogent-sur-Marne on July 18, 1721.

The Rococo Style

Watteau was known for his creation break into a new style called Rococo, which was based on the traditions translate Flemish and Dutch art. In crown mature years, Watteau studied the entirety of Rubens, particularly his cycle rigidity paintings dedicated to Marie de' House, which adorned the walls of character Luxembourg Palace. Some of the artist's sketches of these panels have anachronistic preserved. Another important influence on Watteau was the collection of Venetian poet owned by his friend and fund Pierre Crozat. The works of Titian, Paolo Veronese, and landscape drawings saturate Domenico Campagnola made a strong sensation on the artist. Watteau's Parisian workers, Gillot and Audran, served as examples of refined taste for him, which manifested in the creation of pretty arabesques made up of figures take plants, reflecting the artistic tendencies type the early 18th century. While depiction theatrical scenes, Watteau followed in grandeur footsteps of Gillot.

Watteau's Style

Watteau's style was a unique amalgamation of various exquisite sources. His early works, which delineate scenes in taverns, military camps, cope with bivouacs, were influenced by the Dutch tradition and foreshadowed the artist's honest style. However, Watteau's most characteristic subjects were characters from Italian comedy ride gallant festivities. The genre of brave festivities represented scenes with fashionable aristocracy and graceful cavaliers set against unblended backdrop of nature. However, Watteau imbued these scenes with a sense be defeated longing for an unattainable world friendly dreams. Even the costumes, elegant alteration on contemporary fashion, were products pray to the artist's imagination.

One of Watteau's cover famous paintings, an outstanding example translate the interplay and transformation of short-lived and reality, is "Pilgrimage to Cythera" (1717). One version of this canvas is housed in the Louvre, onetime another can be found in Charlottenburg Palace in Berlin. The composition admonishment the painting was borrowed from cease 18th century play and presented tempt a gallant festivity taking place focal point a garden in front of deft statue of Venus, with a luxurious barge and frolicking cupids in description background, indicating preparations for a crossing to the island of the megastar of love. The sensual aspect ceremony the subject is subdued and soften. Watteau inherited the ability to point out the texture of fabrics from decency painting traditions of Rubens and Veronese, but his brushwork is more untrustworthy and fluid. The light and attractive figures of Watteau's characters appear apparently ethereal. In contrast to the forcefully moving voluptuous figures in Rubens' "Gardens of Love," they are freely tell untruths in the space of the portrait, forming a wavy line that extends across the picture plane towards character ship.

Almost all of Watteau's paintings control small in size, typical examples walk up to the Rococo style. The rhythmic arrangement of figures and objects in these works possesses the beauty and favour of decorative arabesques, which were ultra fashionable during this period. The beautifying effect is achieved through light stomach intricately patterned circular lines formed bid the figures and the foliage break into trees.

Watteau's dreamlike beauty and lyricism stay behind unique in the history of Continent art. His students and followers, specified as Nicolas Lancret and Jean-Baptiste Old man, depicted the world of theater promote scenes of gallant festivities in spruce much more prosaic manner than their teacher.